More like this. Storyline Edit. Madame Souza, an elderly woman, instills in her grandson Champion for who she acts as his guardian a love of cycling. As a young man, he does become a dedicated road racer with his grandmother as his trainer. During a mountainous leg of the Tour de France in which Champion is racing, he goes missing.
Evidence points to him being kidnapped. Indeed, he and two of his competitors were kidnapped, the kidnappers who want to use the threesome's unique skills for nefarious purposes. With Champion's overweight and faithful pet dog Bruno at her side, Madame Souza goes looking for Champion. Their trek takes them overseas to the town of Belleville. Without any money, Madame Souza and Bruno are befriended and taken in by three eccentric elderly women, who were once the renowned jazz singing group The Triplets of Belleville.
The triplets help Madame Souza and Bruno try to locate and rescue Champion. Rated PG for images involving sensuality, violence and crude humor. Did you know Edit. Goofs When Madame Souza, pretending to be blind, is following the mechanic, she approaches a junction where there is a fire hydrant, a newspaper vending machine and a pedestrian crossing.
In the next shot, all have vanished. Quotes [last lines] Madame Souza : [voice over] Is that it, then? It's over, Grandma. Crazy credits After the credits have rolled we see the Pedalo rent guy waiting on the beach, looking out to sea and checking his wrist watch. Connections Featured in Troldspejlet: Episode User reviews Review. Top review. What does it all mean?
Yesterday evening a friend introduced me to this extraordinary piece of animation. After watching it I was left with the feeling that I'd just watched a film which communicated something to me, but I wasn't quite sure what that might be. For hours afterward I thought to myself, "Why did that film appeal to me so? The details are charming and nuanced. The rendering is a true tour-de-force. The one thing that caught my eye was the sheen of the water as Mme.
Souza and Bruno are crossing the ocean in pursuit of her grandson. I can hardly believe that was animation. Then I noticed the play of the light on the water reflected against the hulls of the boats at dock in the harbor. My friend pointed out the skill of the graphic designers in maintaining the proper camera angles of the projected live film footage on the screen during the chase sequence.
The music is absolutely captivating. Everything from the opening dance-hall sequence to the extraordinary use of the Kyrie from Mozart's Mass in C Minor during the storm at sea and the entrance into the harbor of Belleville. Notice how the music builds in richness as the camera descends from the few spires at the beginning of the sequence to the dense mass at street level. Remembering the details and how they relate to each other and the film as a whole keeps you thinking about the significance of the film's contents.
For instance, I only now remember that the opening sequence was drawn in the archaic, fluid style of early cartoon animation Steamboat Willy, Olive Oyl and Popeye because, of course, it was depicting events which predated the time of the film proper.
The style served a purpose, beyond being an end in itself. For a long time after watching the film I remained puzzled about its appeal to me. I've seen a large number of animated feature films, but none have left me quite as reflective as did this one. I was less concerned with the meaning of the details. It is a cartoon, after all. I continued to wonder about Madame Souza's expression. About how the creator was able to invest such meaning in those simple dark circles set behind thick lenses and the line of her mouth, which modulated between forthright resolve and a gentle satisfaction.
Then it occurred to me. Beyond the larger outline of the story and the details in which it is couched, it tells us of the power of one person's love and concern for another. I suppose we all wish we could receive such unconditional love, and it makes us feel warm to think that such a thing could actually be. Even if only in a cartoon. The film either will or will not appeal to you, depending on what it is you're looking for in an animated feature film. She is accompanied by Champion's loyal and obese hound, Bruno, and joined by the Triplets of Belleville, music hall singers from the s, whom she meets in the city.
The film was highly praised by audiences and critics for its unique style of animation. It was also screened out of competition hors concours at the Cannes Film Festival. In France, Madame Souza raises her grandson Champion, a melancholy orphan. Both watch an old variety show on television featuring a trio of singers, the Triplets of Belleville Rose, Violette, and Blanche.
When the program is interrupted, Souza asks Champion if the "film" is finished. The listless Champion does not reply and instead changes the channel to a piano concert. Souza, upon noticing Champion's interest in the music, pulls out an old piano and tries to attract Champion's attention by playing a scale, but Champion remains indifferent. Souza deduces that Champion is lonely and buys him a dog, Bruno.
Neither Bruno nor an electric train set succeed in lifting Champion's spirits. While tidying Champion's room, Souza discovers a book filled with photos of cyclists. She decides to buy Champion a tricycle , which finally allows Champion to indulge in his passion. After a few years of training, Champion competes in the Tour de France , but finds himself left behind in his exhaustion, and he is kidnapped by a pair of mobsters , who take him and two other contestants across the Atlantic.
Souza pursues Champion on a pedalo to Belleville. Arriving in the United States, Souza finds herself penniless, but meets the elderly Triplets of Belleville. The Triplets take Souza into their apartment, and after a peculiar dinner, they allow her to participate as a musician in one of their shows.
During the show, Souza spots the mobsters who kidnapped Champion. With the help of the Triplets, Souza pursues the men and rescues her grandson after a Homeric chase. In a flashforward , an older Champion watches the TV again showing their adventure when they are leaving the city and imagines Souza asking once more if the film is finished. Champion turns to the empty couch seat next to him and says "It's over, grandma".
From Wikipedia, the free encyclopedia. For the song from the film, see Belleville Rendez-vous song.
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